If I were an artist...
the public would love
hate like "not like" dislike
or want/not know me
(just how I like it!) at all,
while
the critics
would key in
opposition: knowing,
unwant, like, indifferent
(: same as "not like"), love,
abhor, abort, revile...all the
adjectives (and other would-be
modifiers. Parts of speech
don't really matter to what
critics think/publics want)
they can sport diametrically
against some particular
peopley reaction theme.
Like they do. Keep up!
It's the job. Turns bright-eyes
canny analysts into butch
contrarians by the
yard, lusting for
notice, sipping
sweet
deep anxiety
from each
other's
shakes.
It's kind of a tell
critics in-the-know
don't want you to.
Everybody
see/know
that! So
if
I were
a critic...crap.
It's just same beans
backwards!
Some inner tortilla
with okay beans
all fake cheesy
(gourmet niche
cheese, weird tasty)
(fake as in situationally
inauthentic, not vegan)
(no nacho cojones, gender
irregardless and so-so
sure it's clean), wrapped
around
that thing
by hand! Or AI
-hand lately. OK
All packed in sloppy
and chucked by
the publisher!
TD!!
Bad pass
though QB. Was
that anxious? Did you
throw it from the throes
in security or what! Whose
go-team
did you used
to be on?
It made
a difference,
maybe. Or could
have. Heck it
to bits, then.
Keep guying the
line and pitch to yaw,
right home. Rowing
hard with either
oar's handy.
Hard work! Huh!
But as it's playtime,
don't
expect much
gets in your wake.
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