Wait a second, of course there's another
popular use of obscurity: The making of
references, obscure ones, hoping someone
will recognize and enjoy the reference.
A sort of peek-a-boo game between
people of similar learnings, or leanings,
or experiences, that adds significances and cachets
to the trivia we've accumulated along the way, and which
would be otherwise meaningless. A valid, playful use
of obscurity, sort of. I'm not saying the other use
is invalid - the deliberate obfuscation. I'm sure if
that's what you're after - it all comes down
to what you're trying to accomplish
as an artist. For some people, meaning itself
is a game, and the work may be deliberately,
semantically empty - or as empty
as the artist can make it. Suppose an artist
delights in seeing the various meanings drawn
and connections made from the work, none of which
were intended while making the work? Surprise! Is this
in some way bad or foul play? Heck no.
It's just one of those weird deals
where when you find out that it's their game, too.
The reader gets to play, and you're ultimately like,
"Huh? WHY? Well okay. I guess if that's what turns
your motor over." But then
you tend to look at the next piece they do
as some type of more or less bull shit. So
they may be wise not to let on, that they write
with "open meaning" (i.e. none) (or next to it) but
to me it's as full-on legit as any other purpose
to which you could put to art,
A Pocketful of Poesy was and is again a Poem-a-Day(-on-Average) Blog! For 2009, 2010, 2011, 2012, and now for 2017 and going forward, you may expect to see 365 poems every year, 366 for leap years. Try the RANDOM button to sample the sometimes surprising breadth of quality (and in several Novembers, breathtaking quantity as well), or click the "ANY GOOD" label* for those poems labeled with it. On any poem, old or new, feel free to offer your remarkable insight or critical acumen.
*I haven't yet revisited many pockets and stretches of time to appraise and label the "any goods," so some are missing. Please feel free to point out omissions, or - especially - erroneous inclusions, in comments.