Skip this one arguably
vain. It's more a mnemonic
than an attempt to move
you, but it is a poem
and sincere.
New thing!
in 2024: Not a new
year's resolution,
not a hoax, not a
dream: partly as a trick
to trim/edit, partly as a GOOSE
to conversation (which has long
and sadly flagged since
I once abandoned this place, years ago), I propose
to redact
less-than-top material!
- musings, and commentary from
within the poem - as I go
a-composing.
- AND -
reposition such takings and leavings, these things
cut, left out - as "comments"
UNDER
the poem!
Why not? A little light
tweaking, some tonal adjustment
- such things could easily be
comments
UPON the poem, rather than
vain and egregious, excessive
ornament and digression WITHIN.
It. Tad dastardly, sure
- I warrant, but I hold myself
free to do it
in this place.
Might
make the
pruning and tuning
a bit more keyed-in,
as we go, or
as I go. As one prefers.
Or anyway, if I remember it
to do it,
that's the idea
Also: maybe cut down on
prose poems
whose sole purpose
is mnemonic?
Too easy for dear reader
to mistake a pat, plain practical
mnemonic
for overly vain
"self-indulgence"
merely because an aspect
of self-referential-ness
may be shared between
these two otherwise
quite different things
WELL.
Well, I say: if it fruits
and boots (if it be not
fruitless and bootless)
THEN IT AIN'T VAIN
I might also begin experimenting more with deliberate external rhyme." I.e. a rhyme scheme or beat picked up and carried on from one poem to the next. You know. Just a lil' bonus "easter egg" scheme for serial readers! A little bonus jiggle in your context keyhole!
ReplyDeleteThat is, if I remember this intention later, as we go.
We'll see what happens.